PICASSO PABLO, Carnet de la Californie tav. XI, 1955 sculture le cui finestre sono l’unico
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PICASSO PABLO, Carnet de la Californie tav. XI, 1955 sculture le cui finestre sono l’unico le cui finestre sono l’unico punto in cui Rembrandt ha lasciato visibile il bianco originale della carta disegni e libri illustrati Perfect impression and printed in lithography on Arches paper by Mourlot Frères in 1959 in a total of 1500 copies for the Cercle d’Art editions
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